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Friday, February 14, 2025

The Beauty of Castle Ruins

The Castle of Jealousy where Fair Welcome is Imprisoned, from Harley MS 4425, f. 39r.


        One of the best-looking things mundele people have ever created are their castles and tapestries. But this blog isn't about tapestries.

Tuesday, February 11, 2025

Paris Bordone e suas obras de arte


Although still unidentified, the cross on the field armor of this high-ranking officer indicates that he was most likely a Knight of Saint John. Two elegantly dressed pages attend to his armor, as if to ready him for battle. One secures his rerebrace over his velvet doublet while the other presents his helmet. Pages often came from high-standing families, so the presence of a Black page poses questions about his status and origins that cannot be answered until the the sitter is identified. People of African origin or descent were present in Venice and in the courts of northern Italy, but this is one of the earliest depictions of a Black servant in aristocratic male portraiture.
Portrait of a Man in Armor with Two Pages, oil on canvas, between 1520 and 1571.


        Paris Bordone (1500, Treviso, Republic of Venice [Italy] — Jan. 19, 1571, Venice) was a Renaissance Venetian painter of religious, mythological, and anecdotal subjects, part of the Mannerist art movement and former pupil of Tiziano Vecellio (also known in English as Titian) (1488, Pieve di Cadore, Republic of Venice — August 27, 1576, Venice). [1] [2]

Sunday, February 9, 2025

Tant m'abelis joyas et amors e chans [So much I love joy and love and song] by Troubadour Berengiers de Palazol



uring my stay at my grandparents' house, I decided to delve deeper into medieval literature. I decided to learn more than Lais de Maria de France, so I turned to Troubadourism.

Troubadourism was a lyrical-poetic literary school of the High Middle Ages that began in the late 11th century, in Occitania, later spreading to Italy, France and the Iberian Peninsula, and coming to an end in the 14th century. Troubadours and trobairitz, who both composed and performed their songs, used to mainly depict courtly love and chivalry (code of conduct associated with knighthood and chivalric orders).

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